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Vous avez sélectionné:
Doing Better
Partitions à imprimer
32 partitions trouvées
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1
26
Doing Better
Doing Better
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Piano Facile
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Pop musique
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Cari Fletcher, Jennifer Erin D
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TheBiPianist
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Doing Better
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TheBiPianist
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SheetMusicPlus
Level 1 - Interactive Download SKU: A0.1417265 Composed by Cari Fletcher, Jennifer Erin Decilveo, Jeremy Dussolliet, Mary Weitz, and Timothy Paul Sommers...
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Level 1 - Interactive Download SKU: A0.1417265 Composed by Cari Fletcher, Jennifer Erin Decilveo, Jeremy Dussolliet, Mary Weitz, and Timothy Paul Sommers. Arranged by TheBiPianist. This edition: Interactive Download. Pop. Lead Sheet / Fake Book. 3 pages. Duration 116. TheBiPianist #6q52hnJjqDpUQxjAWXuHMc. Published by TheBiPianist (A0.1417265). Key: B minor.Melody and chords for FLETCHER's Doing Better, from the album In Search of the Antidote, for C instruments.
$4.99 ≈
4.66€
Sonata Hymnica No. 5
Sonata Hymnica No. 5
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writing...
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Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50 ≈
8.86€
Good, Better, Best - vocal solo with piano accompaniment or piano solo
Good, Better, Best - vocal solo with piano accompaniment or piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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Good, Better, Best - vocal sol
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.701049 Composed by Kevin G. Pace (ASCAP). Children,Instructional. Score. 2 pages. Kevin G. Pace #3014369. Published by Ke...
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Piano Solo - Level 4 - SKU: A0.701049 Composed by Kevin G. Pace (ASCAP). Children,Instructional. Score. 2 pages. Kevin G. Pace #3014369. Published by Kevin G. Pace (A0.701049). A fun, original song with a positive message about doing one's best. Could be sung unison as a vocal solo or unison choir with piano accompaniment. It could also be played as a piano solo.
$2.95 ≈
2.75€
Don't Worry, Be Happy
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include E♭ and B♭. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99 ≈
13.99€
Lost Boy
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99 ≈
1.86€
The Betrayal
The Betrayal
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Pu...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95 ≈
15.81€
Yellow Submarine
Yellow Submarine
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Piano seul
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INTERMÉDIAIRE
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The Beatles
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Mario Stallbaumer
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Yellow Submarine
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1419283 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mario Stallbaumer. Film/TV,Pop,Rock. Score. 3 page...
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Piano Solo - Level 3 - SKU: A0.1419283 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mario Stallbaumer. Film/TV,Pop,Rock. Score. 3 pages. Mario Stallbaumer #1000721. Published by Mario Stallbaumer (A0.1419283). With this sheet music, you can play Yellow Submarine by the Beatles on the piano!It's an accurate, carefully created piano arrangement of the full song.PLEASE NOTE: For better playability, the song has been transposed by one half step from the original key (from F# to F major).Yellow Submarine was released in 1966 as a single from The Beatles' seventh studio album Revolver.It became the most successful Beatles song with Ringo Starr doing the lead vocals, and also became famous as the title track from the 1968 film Yellow Submarine.Needless to say, it's a wonderful song to play on the piano!If you want to see more of my work, you can visit my YouTube channel!
$4.99 ≈
4.66€
Yellow Submarine
Yellow Submarine
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Piano, Voix
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INTERMÉDIAIRE
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The Beatles
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Mario Stallbaumer
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Yellow Submarine
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1419280 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mario Stallbaumer. Film/TV,Pop,Rock. Score....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1419280 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mario Stallbaumer. Film/TV,Pop,Rock. Score. 5 pages. Mario Stallbaumer #1000718. Published by Mario Stallbaumer (A0.1419280). With this sheet music, you can play Yellow Submarine by the Beatles on the piano!It's an accurate, carefully created piano arrangement of the full song.PLEASE NOTE: For better playability, the song has been transposed by one half step from the original key (from F# to F major).Yellow Submarine was released in 1966 as a single from The Beatles' seventh studio album Revolver.It became the most successful Beatles song with Ringo Starr doing the lead vocals, and also became famous as the title track from the 1968 film Yellow Submarine.Needless to say, it's a wonderful song to play on the piano!If you want to see more of my work, you can visit my YouTube channel!
$4.99 ≈
4.66€
Method of Harmony and Musical Composition with Exercises
Method of Harmony and Musical Composition with Exercises
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Chorale SATB
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Santino Cara
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Method of Harmony and Musical
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Santino Cara
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.518051 Composed by Santino Cara. Instructional. Octavo. 251 pages. Santino Cara #3068463. Published by Santino Cara (A0.5...
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Choral Choir (Mixed) - SKU: A0.518051 Composed by Santino Cara. Instructional. Octavo. 251 pages. Santino Cara #3068463. Published by Santino Cara (A0.518051). This method is under the old rules, that are related to the purity and simplicity. Harmony and tonality, intervals, movement of sounds, major and minor chord , construction and conjunction of the chords, cadences, exceptional motions of the dominant, concatenation of the chords, direct agreement and revolt, harmonization of the bass, tonal progressions, dissonant arrangements, modulation, modulating progressions, agreement of seventh dominant, agreement of ninth dominant, natural and artificial agreements, modulation to the distant tones, the exchange, harmonic artifices, pedal, harmonnization of the given song, etc ... While reading you will find images of scores such as reference to a particular discourse that at that moment he was doing, and so on. They're all examples targeted aimed at better understanding.
$32.40 ≈
30.23€
G-F-E-D-C-B-A - a mnemonic song
G-F-E-D-C-B-A - a mnemonic song
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Piano, Voix
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FACILE
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Samuel Stokes
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G-F-E-D-C-B-A - a mnemonic son
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SamuelStokesMusic.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.560839 Composed by Samuel Stokes. Children,Instructional. Score. 1 pages. SamuelStokesMusic.com #2881381. Publishe...
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Piano,Vocal,Voice - Level 2 - SKU: A0.560839 Composed by Samuel Stokes. Children,Instructional. Score. 1 pages. SamuelStokesMusic.com #2881381. Published by SamuelStokesMusic.com (A0.560839). G-F-E-D-C-B-A is a fun, lively song with a purpose. Singing this song will help young musicians learn to say their musical alphabet backwards. In doing this, they will become better sight readers as they will immediately be able to name the next note in a descending line. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$1.99 ≈
1.86€
When You Told Me to Love My Neighbor
When You Told Me to Love My Neighbor
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Musique Sacrée
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Mark Greer
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When You Told Me to Love My Ne
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The CHOSEN Company, LLC
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.980737 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. T...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.980737 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. The CHOSEN Company, LLC #3881461. Published by The CHOSEN Company, LLC (A0.980737). Christian song about regret not doing a better job of loving our neighbor, and recognition of salvation through Jesus Christ.
$3.99 ≈
3.72€
Secret Agent MacDonald (spy remix of "Old MacDonald") - early intermediate version
Secret Agent MacDonald (spy remix of "Old MacDonald") - early intermediate version
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Piano seul
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FACILE
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Unknown
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Anne Britt
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Secret Agent MacDonald
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Anne Britt
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.741133 Composed by Unknown. Arranged by Anne Britt. Children,Jazz. Score. 2 pages. Anne Britt #2930521. Published by Anne...
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Piano Solo - Level 2 - SKU: A0.741133 Composed by Unknown. Arranged by Anne Britt. Children,Jazz. Score. 2 pages. Anne Britt #2930521. Published by Anne Britt (A0.741133). Old MacDonald Had a Farm arranged for early intermediate piano solo by Anne Britt. So he had a farm, yes... but do we really know what he was doing out there? Maybe the overalls, boots, and pitchfork were just a clever disguise for his true identity as an undercover agent, secretly solving mysteries and busting bad guys to make the world a better place. After a hearty breakfast of bacon and eggs, of course. 2 pages. Also available as part of the Piano Remixes: Kid Songs Vol. 1 early intermediate songbook: https://www.sheetmusicplus.com/title/20756041Intermediate piano solo version also available: https://www.sheetmusicplus.com/title/20372216Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$2.99 ≈
2.79€
Root Beer Rag
Root Beer Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Austin Kitchell
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Root Beer Rag
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Austin Kitchell
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.871133 By Billy Joel. By Billy Joel. Arranged by Austin Kitchell. Pop,Rock. Score. 7 pages. Austin Kitchell #4841213. Pub...
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Piano Solo - Level 4 - SKU: A0.871133 By Billy Joel. By Billy Joel. Arranged by Austin Kitchell. Pop,Rock. Score. 7 pages. Austin Kitchell #4841213. Published by Austin Kitchell (A0.871133). This arrangement came about because I was disgruntled at how NOT-ragtime (for lack of better words) most piano solo versions of this song were. I eventually got sick of this and wrote this arrangement. I also added the key change because of one recording I heard of Billy Joel playing this piece, except he played it really slow, and then sped up the recording before posting it, but in doing so, the whole song went up a half step. I liked how it sounded in that key, so I implemented it halfway through this arrangement. It does make the 2nd half quite a bit harder, but as they say, you can't have everything in life.Other than that, I hope you enjoy this song. It's a lot of fun.
$4.99 ≈
4.66€
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.” The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.” In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20 ≈
2.99€
O Holy Night for Cello trio
O Holy Night for Cello trio
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Noël
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Adolphe-Charles Adam
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Kováts István
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O Holy Night for Cello trio
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Kovats Istvan
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.764286 Composed by Adolphe-Charles Adam. Arranged by Kováts István. Christian,Christmas,Contempo...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.764286 Composed by Adolphe-Charles Adam. Arranged by Kováts István. Christian,Christmas,Contemporary. Score and parts. 5 pages. Kovats Istvan #3382677. Published by Kovats Istvan (A0.764286). 2017 Holiday Contest EntryBeautiful Christmas song arranged for 3 cellos, intermediate level, the kids are loving it.It comes with score and set of parts (I recommend to use only the score, it has only 2 pages it fits on any music stand and it's better if the players see what other voices are doing)I made it for my cello class, we played it on a Christmas Concert, it was a great success, I hope You'll enjoy it as much as we did. :)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :)
$3.34 ≈
3.12€
For James: a kind of lullaby (1993)
For James: a kind of lullaby (1993)
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Piano seul
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INTERMÉDIAIRE
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Bill Whitley
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Bill Whitley
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For James: a kind of lullaby
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1283969 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contemporary. Score. 3...
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Piano Solo - Level 3 - SKU: A0.1283969 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contemporary. Score. 3 pages. Musica Semplice #875142. Published by Musica Semplice (A0.1283969). For James: a kind of lullaby (1993)Built in 1898 the James Monaghan Mansion--now, and since 1942 the home of Gonzaga University's music department--was for many years believed to be haunted. In addition to reports of disembodied footsteps, doors dramatically opening themselves, and sudden appearances of hostile presences, there was also reports of the organ playing itself......which is where I, primarily an organ student at the time, spent a majority of my time. This piece was written entirely at the organ, on that organ while an organ and piano student at Gonzaga. Written in four layers as if for organ, in the end I found that it sounded much better on the piano. It has never been performed or recorded on organ.The working title was Excorsising Monaghan. The finished piece sounded less ghostly and more like a lullaby. Whether or not it was James doing the haunting, I thought it best to offer the lullaby to him.--Bill Whitley, 2023.
$4.99 ≈
4.66€
Beim Schlafengehen
Beim Schlafengehen
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Chorale SATB
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INTERMÉDIAIRE
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Alwin Michael Schronen
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Beim Schlafengehen
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q47746 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downl...
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Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q47746 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 2' 10. Schott Music - Digital #Q47746. Published by Schott Music - Digital (S9.Q47746). German.Touching, warm-hearted and reassuring - Alwin Michael Schronen's choral composition At bedtime for four-part mixed choir (SATB) a cappella can hardly be better characterized. The only about 2-minute setting of the eponymous three-strophic poem by Hermann Hesse breathes a tremendous simplicity and intimacy through which finds the text content of the resting-to-come of doing and thinking after a long day adequate expression. The very catchy and tunable melody is largely reserved for the soprano (stanzas 1 and 3), which is sensitively accompanied by the other voices. Only in the second stanza does the tenor take on the (slightly modified) melody, giving it a vivacious tone color nuance for this secluded agelong choir of secular a cappella choral music.
$2.99 ≈
2.79€
Etude Op.25 No.1 in Ab major "Aeolian Harp" of Chopin
Etude Op.25 No.1 in Ab major "Aeolian Harp" of Chopin
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Chopin, F
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Michael Bomier
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Etude Op.25 No.1 in Ab major "
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862690 Composed by Chopin, F. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Romantic Period,Standards. S...
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Piano Solo - Level 4 - SKU: A0.862690 Composed by Chopin, F. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3865093. Published by Michael Butkus-Bomier (A0.862690). The Chopin etudes are the Romantic era pinnacle of technical demands inextricably intertwined with artistic expression. Thus, knowing them is like knowing any basic, essential level information that makes one a part of A Larger World. So, to accommodate those persons with an average hand and technique, we offer this version.The main feature that is Missing from our rendition is the change of direction in each measure in the right hand. We have opted for a uniformly contrary-motion concept throughout. The span of each hand, which originally overlapped several times, has here been re-configured to keep the hands from doing so, whilst retaining all the harmony and motion of the original. The tune is original, of course. The duple-triple opposition is notated with dots and flags, rather than using a 2 against 3 presentation. Fingerings are offered. New version as of 4/23/19 with better editorial detail and error corrections. Full-length, original key, how could it be otherwise here! MBB
$2.99 ≈
2.79€
Ben Hur Chariot Race March
Ben Hur Chariot Race March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1894, he was the manager of th
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Edward Taylor Paull
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Judith Katz
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Pub...
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Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00 ≈
11.20€
Danny Boy (Tablature + Sheet Music)
Danny Boy (Tablature +)
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Paroles et Accords
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Brian Streckfus
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Danny Boy
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Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. ...
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Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. Chords/Lyrics. 3 pages. Brian Streckfus #725564. Published by Brian Streckfus (A0.1124793). I include two versions! The first being my arrangements with many changes, and the second version is a more blank version. That way, these arrangements are more all-inclusive for every purpose and skill level.1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Guitar Chord Charts and Chord Nomenclature4. Less stereotypical chords that take into consideration voice leading and making the main melody the forefront.5. Fingerings and letter names added to aid in sight-reading6. Grace notes addedWhat makes these versions great is that they work well no matter how many members. Completely solo guitar you can use the vocal melody to make the song more sophisticated and make the song more recognizable. Then, the larger the group you play in, the more you can focus on playing the background chords. The background chords a great for those who want to train their singing, as even the chord diagrams constantly emphasize the main melody.Edit: A better name for the G major chord in measure six is B minor. Though, G is ok since it is sort of implied.If you want me to make a small revision, I don't mind doing it for free just as long as it isn't time consuming. Please feel free to reach out to me!https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$1.99 ≈
1.86€
5 Scale Forms for Guitar
5 Scale Forms for Guitar
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian S...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99 ≈
1.86€
When You're In Love With A Beautiful Woman
When You're In Love With A Beautiful Woman
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Kevin Riley
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When You're In Love With A Bea
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Kevin Riley
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.732828 By Dr. Hook. By Even Stevens. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 13 pa...
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String Quartet String Quartet - Level 4 - SKU: A0.732828 By Dr. Hook. By Even Stevens. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 13 pages. Kevin Riley #341086. Published by Kevin Riley (A0.732828). When You're in Love with a Beautiful Woman is an internationally successful single by Dr. Hook. It was recorded at Muscle Shoals Sound Studio, Alabama. Written by Even Stevens, who followed producer Ron Haffkine into the studio bathroom to pitch him the song. When You're in Love with a Beautiful Woman first appeared on the band's 1978 album Pleasure and Pain. Riding the disco wave in 1979 it belatedly became an international hit, reaching number six on the Billboard Hot 100 singles chart in the USA and doing even better in the UK where it spent three weeks at number one in the UK Singles Chart in November 1979. The song was subsequently added to the band's 1979 album Sometimes You Win.
$20.00 ≈
18.66€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Justin Bieber Duet With Mariah
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00 ≈
18.66€
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95 ≈
23.28€
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